The First Advent Songs: The Magnificat and the Benedictus

The Advent season is upon us, and as is my habit, I’ve returned to the birth narratives in Matthew and Luke. Every time I read Luke’s account, I’m struck by both the parallels and the contrasts of the angel Gabriel’s visits – first to Zechariah, John the Baptist’s father, and then to Mary.

When we enter the stories of John’s and Jesus’ births, we sometimes move too quickly, missing the richness woven into the details. Luke is doing more than giving us two birth stories – he’s showing us how God breaks into human history, not once, but twice, through two very different people. Gabriel’s visit to Zechariah and his visit to Mary sit side by side, and I think for a reason. Together, they paint a picture of God’s faithfulness in surprising ways.

Zechariah’s story begins in the center of Israel’s religious life. He is an elderly priest, serving in the Temple, standing at the altar of incense. Everything about the scene is steeped in holiness, memory, and sacred tradition. This is the place where you would expect God to act. And God does. Gabriel appears with astonishing news: Zechariah and Elizabeth – long past the age when children were possible – will have a son. He will be named John, a child filled with the Spirit from his mother’s womb, a child destined to prepare the people for the Lord’s coming.

Mary’s story could not feel more different. Far from the Temple courts and priestly garments, we find a young, betrothed girl in the quiet obscurity of Nazareth. No incense. No crowds. No liturgy. Just the daily simplicity of a Galilean village. And yet, here too, Gabriel appears. God steps not only into the sacred space of the Temple, but also into the ordinary space of a teenage girl’s life. The message is even more astonishing: Mary will conceive a child by the Holy Spirit, and this child will be Jesus – the Son of the Most High, the One whose kingdom will never end.

We must note that God moves in both the center and the margins. He speaks in Jerusalem’s Temple and in Nazareth’s simplicity. The priest in sacred robes and the young girl with no social status both find themselves swept up in God’s redemptive work. We learn that God is not contained by our expectations. He is as present in the quiet places as He is in the holy places.

We should also note that Zechariah and Mary respond differently, and Luke invites us to reflect on that, too. Zechariah asks, “How shall I know this?” His question, borne out of years of disappointment, carries the weight of doubt. Mary also questions, but her “How will this be?” is a question of wonder, not unbelief. She wants to understand, not to resist. And while Zechariah is rendered silent for a season, Mary is invited to step deeper into God’s mystery. Her final posture – “I am the Lord’s servant” – remains one of the most beautiful responses in Scripture.

But Luke doesn’t leave us with the announcements alone. He gives us the songs – the Spirit-inspired utterances that reveal what these events mean for the world.

Mary’s Magnificat  is the first to rise – a song that proclaims the upside-down nature of God’s kingdom:

He has brought down rulers…
but has lifted up the humble.

He has filled the hungry with good things…
but has sent the rich away empty.

This is the kingdom we’ve been tracing in recent posts – the kingdom that arrives not with power but with humility, not in the halls of Caesar but in the heart of a young Jewish girl. Mary’s song proclaims a God who sees the lowly, remembers His covenant, and upends the world’s value systems. She interprets her own story through the larger story of Israel: this is Abraham’s God, keeping His promise to bless the nations.

Later, when John is born and Zechariah’s tongue is finally loosed, the Benedictus flows out of him – a priestly blessing shaped by Scripture and steeped in hope:

Blessed be the Lord, the God of Israel,
for He has visited and redeemed His people.

Zechariah sees clearly now: John will be the forerunner, the one who prepares the way for God’s inbreaking of the kingdom. The whole song is saturated with kingdom imagery – redemption, forgiveness, covenant mercy, and the breaking of darkness by light. He speaks of God’s mercy and love (hesed), the sunrise from on high, the guidance into peace. This is kingdom language. This is God restoring what has been fractured since Eden.

New Creation!!

Taken together, Mary’s Magnificat and Zechariah’s Benedictus give us two lenses on the same kingdom: one from the margins, one from the priesthood; one celebrating the Great Reversal, the other celebrating the Great Rescue. Both declare that God is acting decisively, faithfully, graciously – just as He promised.

And perhaps that is the heartbeat of Luke. God is not merely delivering babies; He is delivering His people. He is inaugurating His kingdom, one that lifts the lowly, fulfills ancient promises, confronts darkness with light, and invites ordinary people into extraordinary grace.

So, ponder the messages of Mary and Zechariah. They are certainly “ponder-worthy” during Advent!

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Curt Hinkle

I am a practical theologian. A theology that doesn't play out in one's everyday life is impractical, or of no real use. A simple definition of theology is the attempt to understand God and what he is up to, allowing us to join him in his work.

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